Originally Posted by
Joel Thomas Runyan
These are small details to the majority of readers, to be sure. But they are not nonsense. If we are to accept as readers that any symbol which is legible is acceptable, then we as woodworkers would likewise have to accept that any thing which has four stable legs and a top constitutes a good table. And surely the uncomfortable feeling that most people unconsciously feel and quickly pass over--but any good woodworker recognizes as an ergonomically awkward height, narrow knee space, or split-level seam--is not nonsense. It represents a deep (if latent) understanding of the way things ought to be, and that way has been passed down in type and in wood for hundreds of years. If we lazily pass over it because what we create is only "functional" and only of use to the maker in its sale, then we do an ugly disservice to all the great ones who struggled and found the right way in order that their works be beautiful and lasting. The misuse of type is no different to those aware than the knocking of knees, contortion of posture, and general instability wrought by an ill-designed table. It can be read, indeed, but only in a persistent state of discomfort.
If you put two quotation marks straight or at an angle, I seriously doubt that's the same thing as making a table that's crooked.
I have read many books written by tradesmen. I realize when I buy them that they aren't English professors.
I can't even make my keyboard type the things that are being pointed out. I get one choice, shift on the apostrophe. Whatever it is, it is. If I were to self publish an ebook, it would use the keys I have on my keyboard.
At the same time, if they paid people to fix it perfect, then people would be complaining that the book costs too much and no one would buy it because they'd be "getting ripped off".
Man, I hope I never get to the point in life where the direction of inch and foot marks gets my feathers ruffled.
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