So I am going back to natural stone for sharpening. I am not giving up entirely on my TOMZ Sharpener and in fact I like it a great deal. I just want to have a solid sharpening system for when I am away from power and for when I really have to repair an edge.
I use abrasive paper discs from Work Sharp on my TOMZ and its all good. I go from 400 to 1,000 to 3,000 to 6,000 grit. The discs wear quickly but they are not that expensive. I have been using slips to really repair edges and have decided to get full size stones that will comprise a complete Natural oil stone sharpening system. Plus 400 in paper does not seem to me to be anything like the equivalent of 200-400 grit in stone.
I have been able to come into some vintage bench stones and decided what the heck, I would go with those. I will be using a medium India, possibly a soft arkie, a vintage pike lily white and a vintage Norton hard translucent in instances when I am working through a grit progression. However I will take the lily white and leather with compound only when needing something when I am remote from the shop.
I am wondering though if folks think the contemporary honing oils are thinned down in one way or another to be the equivalent of a 50/50 oil and kerosene mix or if folks are mixing either mineral spirits or kerosene in with the oil to make the equivalent mix of the vintage oils.
Trying to compare 30 and 40 year ago experiences using natural stone with today's oils. Looking at and working with this generation of Norton honing oil, I certainly know it is not thinned with kerosene. Nor do I think it is as thin straight from the can as a 50/50 mix would be. In fact straight from the can, these oils seem a tad bit heavier than they should be even for use on contemporary oil stones. More concerned with not gumming up the works on the lily white than anything else and think it best to get as close to a vintage honing oil formula as I can get for use with that stone. By the same token if I end up with a mix I will likely use this mix on all the stones.
Are folks mixing for the most part especially with vintage stones or are folks more often just using contemporary honing oil straight from the can?
Thanks