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Thread: Bombe Chest Build – Continued

  1. #16
    I agree just makes you wanto turn off the TV..

  2. #17
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    Love the work on the curved carcass.

  3. #18
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    [QUOTE]
    Quote Originally Posted by Phil Mueller View Post
    Thanks for sharing your gouge sizes...they appear narrow. Are they all in the 7-9mm range? Can you provide more detail?

    Hi Phil,


    These gouges are in the 1/2"– 3/8" wide range. I tend to use the narrower gouges like these more frequently than the larger ones+1 inch wide.


    Best, Mike

  4. #19
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    Quote Originally Posted by Malcolm McLeod View Post
    Looking good! I wondered why I seem to lack patience at times; it now seems obvious you received my share as well.
    Malcolm, if only that were true! My wife would tell you the probably one of the least patient people you're going to run into.


    Shaping the curve into the carcass sides was fairly robust, straightforward work (lots of sawing, chiseling etc.). I find the smaller, more detail oriented jobs like inlay and carving to be a lot more tedious, which is more likely to try my patience.


    All the best, Mike
    Last edited by Prashun Patel; 12-21-2016 at 12:55 PM.

  5. #20
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    Quote Originally Posted by Mel Fulks View Post
    Mike, fine ambitious work! Just reviewed it all and was wondering if you had considered piercing the ball and claw feet. I've looked at them carefully and it seems to me that what you have now could be altered with no distortion ,since the claws have a bit of stand off. Google carved and pierced ball and claw feet.
    Hi Mel, I appreciate the suggestion. I would like to try some pierced B&C feet at some point, but this chest is intended to carry a lot of weight and for that application I'm hoping these B&C feet without piercing will be a little sturdier.


    Cheers, Mike
    Last edited by Prashun Patel; 12-21-2016 at 12:55 PM.

  6. #21
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    Quote Originally Posted by Don Jarvie View Post
    Mike, have you considered getting some transitional planes like the Stanley 36 and shaping the bottoms to work on some of these curves?
    Hey Don, I don't have any transitional planes, and but I like your idea of shaping the soles for planning curved surfaces. Whether it's shop built, wooden planes or transitional planes, either way having planes with curved bottoms would make this work a lot easier.


    Best, Mike
    Last edited by Prashun Patel; 12-21-2016 at 12:55 PM.

  7. #22
    Intimidating work, as usual, Mike. Thanks.

    Now, if only you were as facile with the "Reply with Quote" feature as you are with hand tools

  8. #23
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    The last thing I want is to be intimidating - my apologies if that's the case! My only intent is to " pay forward" a tiny amount of the of the benefit I've personally gotten from the Creek.

    Prashun, You're completely right, I'm horrible in many ways , but particularly egregious with regard to my I.T. abilities. Thanks for having my back.



    Prashun, totally my bad! Thanks for having my back.

  9. #24
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    Thanks Mike!

  10. #25
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    Bompe chest build – part 3 veneering carcass sides and top


    It’s been a while since my last post on this project - here’s the latest update for those that are interested.

    This is veneering the curved carcass sides described in the previous post. Again geometry rears its ugly head trying to layout smooth curves for the front of the carcass to correspond to the curves of the carcass sides. Sawing out the curves and gluing up ¼” thick solid mahogany on the curved front of the carcass sides. I need this solid stock as I want to do some beading to surround the shelf openings.








    I’ve never done bent lamentations of this was kind of a brute force effort – thank goodness modern glues have strong staying power!



    Here is truing up carcass sides once the front lamination is glued.








  11. #26
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    This is the veneer I’m going used to cover the carcass sides.



    I got it from Brett Hesser here in San Diego who builds beautiful custom furniture that incorporates lots of veneers etc. and also stocks tons of a beautiful veneers.
    Brett couldn’t have been more gracious and accommodating for a rookie like me. Not only did he help me pick out his veneer, but he also used a giant machine I didn’t even know existed, that edge glued veneers together in 30 seconds, saving me tons of work. When Brett asked if that’s what I wanted, I didn’t even understand what he was talking about (who knew there was machine you could do this?). Recognizing my ignorance, Brett took pity on me and said “trust me”. Not only did the glue up the veneer for no additional cost, he said “if you screwed up, come back and I’ll give you some more veneer to try again”. I couldn’t recommend Brett or his work more highly!

    http://www.hesserhandcrafted.com/Fir...ages/home.html




    Here are some shots gluing up the veneer. I don’t have much experience with veneer. I tried gluing up one face with Tite bond 3, which soaked through the veneer and yielded pretty, horrible results. The other 3 faces I use spray on 3M adhesive which yield a thinner glue layer and worked a lot better for me. I’m sure that’s not how you’re supposed to do it but if it all falls apart no one will know but me.












    These are the completed carcass sides with top and ball and claw feet.






    Next step was the chest top. Here’s dimensioning the size and planing the show surface.


  12. #27
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    This was my first opportunity to use my new Jack plane from Steve Voigt and it was awesome! I don’t care if I sound like a giggly fan boy. I’m just a woodworker and the fact is Steve’s plane gave me an new appreciation for the benefits of how a well-made wooden plane glides over the surface. A lot lighter and easier to use than my metal planes. There was no comparison with my own shop built wooden planes – there’s a reason why Steve is a professional toolmaker – his planes are fantastic and I’m saving up for one of his try planes.





    Next up was cutting the dovetails that joined the carcass sides to the bottom of the chest.







  13. #28
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    Carcass sides are jointed to the top with sliding dovetails. Sliding DTs are one of my favorite joints. I’m happy to use power tools whenever they provide the best result, but in this case I really like using a hand plane because it lets you sneak up on the tapered fit that makes glue up for complex carcass like this a lot easier.













    I used an electric router to plow the stopped dadoes for the other 2 shelves. Because the carcass sides are curved, it required a little bit of acrobatic jigging to try and get them 90° to the primary axis of the carcass sides.



    I made a paper template to layout the curves for the front edge of the top. Again plenty of SWAG geometry with beam compass and what I hope our whole number ratios.





  14. #29
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    Here is scratching the bead on the inside edge of the carcass sides that I hope will match up to the corresponding beads on the horizontal shelves. As usual, I wasn’t paying attention to my layout lines and ended up creating “extra” beading where I didn’t want it. I’m hoping some creating creative filling/finishing can cover my mistakes.





    The veneer on the carcass sides overlaps the solid edging on the front of the carcass sides. As you can see, the joint turned out pretty crummy. Like I said, I’m not so good with veneer.



    As a consequence, I tried to cover things up with Holly inlay, which isn’t consistent with period design- sigh, I’m hoping I can make some accommodation elsewhere that’lll tie things together, but that’s probably a pipe dream.














    Here is the glue up of the carcass; – 1 ¼ “thick through DT for the bottom and sliding DT’s for the top made for a typically frantic glue up. I think I got the carcass reasonably square.


  15. #30
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    In an effort to tie the Holly beading on the carcass sides to the overall design, I’m going to try and inlaid some Holly design elements on the carcass top. Since I’m using this chest to hold some hi-fi audio equipment, I thought musical symbols might be appropriate.










    I’ve screwed up plenty of projects with crappy inlay. I’m no expert, but the only advice I can offer is thicker, shop sawn veneer (I shoot for 1/8” inch thick) works best for me. Delicate, cross grain shapes hold together better and I’m less likely to plane through the inlay during final surfacing (Please don’t ask how I know that – the memory still makes me cringe! ).

    Once the inlay shapes are sawn out on the birds mouth, I use some hide glue to stick them to the surface temporarily so I outline their shapes with an X-Acto knife. Patience is definitely a virtue here – nothing worse than rushing things and trying to outline the inlay recesses before the glue is dry and everything shifts in the process – ugh!

    Lastly here is the glued up stock for the horizontal shelves. I decided to wait till the carcass is glued up before trying to layout the curves on the front edges the shelves so I can hopefully get them to fit with the progressive curve I’m hoping to achieve along the front edge of the carcass.




    Thanks for looking. I’ll post updates to this thread as the project progresses.

    All the best, Mike

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