Beautiful, Tim! I love the way you've used different shades of the maple to give the star a three-dimensional look. Very impressive.
David
Beautiful, Tim! I love the way you've used different shades of the maple to give the star a three-dimensional look. Very impressive.
David
Hey Robert,
No doubt the concerns of movement have merit, I get caught up in the "design" process and often never consider the potential for expansion / contraction.
Thank you for your comments, how would you place an allowence for movement into a similar piece?
Tim
I find your comment interesting. Most of our turning club members heckle our only segment turner, but I think it is very beautiful such as this Purple Heart piece. Most of our club members turn natural wood and then embellish the turned piece. I think both methods are equally artistic; in fact any turned piece is artistic regardless of skill level because it is a reflection of the individual’s current state of interpretation, and skills.
By the way Tim your platter really is excellent.
I think you did really good on a very difficult design! Have no idea about combating expansion/shrinkage in segmented pieces, so can only hope it holds together for you! Nice work!
Steve
“You never know what you got til it's gone!”
Please don’t let that happen!
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In the future, you are not allowed to critique your own work. Perfect is not a term we use very often especially when we inlay light wood on dark. Every imperfect (that word is allowed) alignment stands out. I like the way the middle portion looks three dimensional. Nice platter.
faust
Hey Steve,
Over the years I've had little to no movement issues or subsequent damage, this is not to suggest I've followed the design recommendations of those whose I've followed and learned from.... perhaps it's a matter of climate. Regardless, I hope it stays together. I think it will.
Thanks for your thoughts and all the others that have posted. I'm delighted to read and enjoy the feedback!!
Tim