These are some pictures of an African mahogany chest with a coopered top and a nautical theme. I built a similar chest for a 30th anniversary that is described in a earlier post and built this coopered top at the same time. This Sea chest is smaller 14 x 14 x28.
I built the coopered top first because I can’t really predict what the curve will look like when it’s finished. The rest of the chest is built around the top once it has been cleaned up/surfaced.
Here’s the framework that captures the top joined with dovetails and with interior groove to house the coopered top.
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I’ve added some string inlay and carving to this chest. I’m a novice at both. Here is the Holly and tools I used to make the inlay/banding. One lesson I learned is I’m better off sawing inlaid objects out of 3/16 inch thick stock, rather than my earlier attempts to cut them out of veneer with an eX-Acto knife. This way there is less risk of planning through the inlay during final surfacing.
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I put a star at one side of the lid and a dolphin on the other, sawing them out with a bird’s mouth and fret saw. This would be much easier with an electric scroll saw, but not impossible by hand
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One of the most difficult parts of string inlay for me is getting consistent thickness of the stringing. There are dedicated hand tools for this, but I just clamped to the bench and used a block plane to get them as close to a consistent fit with the .040 inch groove the inlay cutter makes. The small syringe for putting glue in the groove is a “must have tool”, however it’s a huge headache trying to keep the small diameter nozzle from clogging with dried glue (lots of emptying, rinsing, repeat). Once glued in, I trim the inlay with a paring chisel and plane to final flush fit.
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Cutting top rails to consistent length to hopefully keep the carcass square.
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For the vertical stiles I used a shop made crosscut jig and got fairly consistent lengths.
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