I needed a birthday gift for a good friend. I made this tray....similar to others I have made...They are a lot of work!
I needed a birthday gift for a good friend. I made this tray....similar to others I have made...They are a lot of work!
"All great work starts with love .... then it is no longer work"
more pics.........?
"All great work starts with love .... then it is no longer work"
Very nice, Mark. I always enjoy seeing your work.
Whats the overall size on it?
Ed
Gorgeous!! I want to see it flipped over and an explaination on the joinery, please.
The top is extruded on a router table over a bowl bit. First the critical edges, raising the bit slowly each pass.... and then move toward the center ....1/4" at a pass. The legs are then shaped at the bandsaw....paird with double stick tape and shaped with rasps and sanders...
The top is then mortised through in the 4 points of joinery on a bench top mortiser using a square chisel bit. The locations are transfered to the top of the legs acurately. Finally the tenons are cut from loose stock sawn on the diagnol for the wedges. Four maple wedges are made for contrast. The tenons are then tapped into the mortises with the wegges started. A steel hammer of light weight is best. The wedges are tapped and the tenons in turn. The excess is sawn flush...I make a shield from veneer to protect the surface.... some sanding a little Daly's Ben Matte wet sanded with 400 wet and dry...and viola!
"All great work starts with love .... then it is no longer work"
"All great work starts with love .... then it is no longer work"
here is the bit, mine is wider
"All great work starts with love .... then it is no longer work"
Hi Mark, beautiful job on the tray. Really like your designs.
I take it is an item that kinda just sits on the counter to place general items in?
I guess with the distinctive/contrasting grain lines and figuring with Zebrano that routing out the center of the board is probably the best way to create the lips of the tray and keep the flow of the grain continuous.
If I were using a timber with less "noticeable" grain/figure or had a bunch of them to make, I would be slicing the lips of the full thickness of the board and then thickness down the center board in the planer. Shape the lips and then rejoin them in exactly the same position so the grain matches up. Done properly and its very hard to pick the joins.
Did you notice any cupping/movement of the timber after you removed all of the material from the inside of the tray?
You know like when you remove a lot of wood from one side which then exposes one side with a different moisture content and shrinks/expands at a different rate.
Wow, that is gorgeous.
Is there any concern that expansion/contraction of the top will be restricted by the legs?
Tim,
That is correct they do cup....it seems to add to the design showing the delicate nature of the wood. Your method would probably work well of rejoining the sides....I may try that next time
"All great work starts with love .... then it is no longer work"
Mark.....Beautiful work as we've come to expect from you. Thanks for explaining the tenons and wedges. I looked at those and wondered how you did it! Beautiful work! Light and airy design to my eyes.
Ken
So much to learn, so little time.....