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Thread: Pricing Work

  1. #1
    Join Date
    Oct 2007
    Location
    Charleston, SC
    Posts
    67

    Pricing Work

    How do you folks go about setting pricing for your work? ( Im sure this has been asked many times, sorry)

    I make pens and have started making bowls.
    Thank You
    Julie in Charleston, SC

  2. #2
    Join Date
    Dec 2006
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    By the wristwatch the customer is wearingJK
    What you listen to is your business....what you hear is ours.

  3. #3
    Join Date
    Mar 2007
    Location
    Middletown, Ohio
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    286
    Pens-$30 and up.

    Bowls-$40 an up.

    Regards, Steve

  4. #4
    From my very limited experience at trying to sell my stuff I've found that the buyers very rarely have any idea what goes into turning a bowl or pen. What will catch their eye is the wood. So the prettier and flashier the wood, the more you can charge. Steve's prices are a pretty good example of where to start though.

  5. #5
    There's a formula that I always go by.

    Material cost+Labor+Overhead+Profit=Cost to customer

    I charge $20 and up for pens and $40+ for bowls.

  6. #6
    I charge $18 for my pens and if it is a repeat buyer I charge little less. I will make a deal if people bring me Birdseye then I will make then a few pens for the wood if it is usable. That works good for me. I have gotten lots of offers for wood but only a few is usable. The price of the hardware for pens to give away is cheaper then to buy the wood. I find it hard to sell my bowls because my wife has first choice. She keeps a lot of them. I can't fight that because she bought me my first lathe...she can keep anything I make for that.
    Dwight

  7. #7
    Pricing isn't easy and is driven by market rates and perceived skill level. Here is a starting reference but is definitely not a hard and fast rule.

    For pens:

    Slimlines $25-$30
    Cigars $30-$50
    Baron Rollerball $75-$100
    Baron Fountains $85-$125

    Price depends on type of wood and inlays or embellishments.

    For Bowls/vases there are a couple of different formulas:

    (width x height x skill modifier) + Material = price

    material + hourly rate = price

    the amount you want to make + material + gallery % (if applicable) = price
    Raymond Overman
    Happiness is a warm chainsaw

    "Do not wait, the time will never be just right. Start where you stand, and work with whatever tools you may have at your command. Better tools will be found as you go along." Napolean Hill

  8. #8
    Join Date
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    Segmented turnings start at 2 dollars per segment and up to 5 dollars a segment. Like i say " If it doesn't sell....it looks great in my house"
    What you listen to is your business....what you hear is ours.

  9. #9
    Just my impression...but....if you take a gorgeous turning and put it in a high-end art show....$250

    Same Piece....Juried Craft Show...$150
    Same Piece...Consignment Store...$125
    Same Piece....Craft Show............$100
    Same Piece....Flea Market...........$75
    Same Piece...Internet...Great Pics.$50
    Same Piece...Internet...Bad Pics...$25
    Same Piece...Gift to Mom.............$Priceless

    Just my impression...I'm in the same boat Julie...ain't really sold nuthin' yet.
    ~john
    "There's nothing wrong with Quiet" ` Jeremiah Johnson

  10. #10
    I'm by no means trying to be an expert here but It's funny you asked. I was just at the Gallery that carries my work and we were having an Artist's Night. A number of us were discussing this same thing. Now keep in mind that we were all producing our craft in different mediums but all of us were faceing the same issue, "How do I price my work?" Here were the factors that came to light and some other things as well.
    • Pricing Considerations
      • Material and supplies cost
      • Studio overhead
      • Artist's time
      • Quality of the piece
      • What is the place where being sold (Gallery; Flee Market; Craft Show)
      • Uniqueness of the piece
      • Who are the target buyers? What is their mindset.
    • Creating value for the price
      • Placement and presentation
      • Uniqueness and quality of the piece
      • Information about the piece
      • Information of the artist
      • Reputation of the artist
      • Opportunity to meet the artist
      • What is your buyers expectation for their purchase
    • Things to be aware of
      • Do not prejudge your client
      • Do not sell out of your own wallet
      • Sales are made primarily on emotion
      • Do not fail to close (in person or in written materials)
    John gave a pretty good outline, I would only add that there are a number of craftsman who charge considerably more and quite successfully. Ask yourself, "Who am I marketing to? What are they looking for? What is their mindset about price?

    Just some things to ponder...
    Last edited by Christopher K. Hartley; 11-26-2007 at 7:36 AM.
    Success is the sum of Failure and Learning

  11. #11
    Join Date
    Jan 2007
    Location
    South Charleston, Ohio
    Posts
    209
    What works for me. Depending on the wood and the form

    For bowls and vases: Simple, plain..easy to make: $8/inch. Complicated, difficult to make $10/inch. I add a premium for the real pain-in-the-butt stuff such as osage orange, or the hard-to-come-by of 10%. I dont buy exotic wood, but if I did I would pass the cost directly on to the customer.

    Tom
    South Charleston
    Ohio, USA

  12. #12
    Join Date
    Aug 2006
    Location
    Mendota, IL
    Posts
    760

    Find other artists to help

    Julie,

    I have said this before. Find 2 or 3 professional artists in your area and ask thier assistance pricing work. You'll get great insight on the art marketing parts of this hobby that you can not learn at the lathe. I had a pizza party at the house before my gallery 'coming out party' where a bronze sculpture and a fabric artist helped me. Their suggestion were much higher than mine. So I spilt the difference and did well.

    Also as John said venue makes a huge difference, but there will be surprises at every venue. (some of them not happy surprises)

    Good Luck
    Frank
    'Sawdust is better than Prozac'

  13. #13
    Julie,
    I am not an experienced seller but here is what I did for a show for my bowls
    height x width x 3
    This gave me a baseline then I adjusted the price from their. Usually increaseing for figured wood or burl, difficulty of piece, pyrography, ect.
    I am pretty much in line with the others on the pen priceing.
    Mike Vickery

  14. #14
    Join Date
    Oct 2007
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    HARVEY, MI. NEXT TO STEVE SCHLUMPF
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    1,735
    Dwight,
    Do you have pix you could send to my email Rbobbyh@chartermi.net? I will reciprocate.
    Bob

  15. #15

    Post Whatever you do ~

    don't give it away! You put your time and effort into a piece and should be compensated for it accordingly. I don't do bowls or pens ~ just architectural pieces such as columns and hand carved items- and they are expensive- I just finished a table- but this is a gift to my girl friend. If I were to sell this table I would probably have asked $22-$2500 for this table, 32"w x 42"L x 34"h , small yes , but the character and attention to detail is justified ~ I really don't care what people think as far as price, when they start to want to barter with me ~ have a nice day, I have no patience for that mentality ~ it's not a used washing machine ~ they have no idea what goes into making a piece like this , http://www.sawmillcreek.org/showthread.php?t=69782 . this table has 84 hours of labor , all solid wood maple. Now if it were a simple table - probably 1/2 the price or less- What helps with a selling items like this is attention to detail and the character/look of the piece- if it is a real eye catching piece of work - that helps immensely.
    just remember not to cave in to price haggling ~ I have a a low tolerance level for that type of mindset ~
    Brian
    Last edited by Brian Weick; 11-26-2007 at 11:50 AM.

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